Here’s an easier way to master Atmos & Spatial (ft. KamranV)

Managing moving objects in an Atmos or Spatial mix can feel overwhelming. In this video, KamranV walks us through a simpler approach to mixing and mastering spatial audio, including levels, EQ, phase, loudness and checking the result.

Timeline

0:00 Intro

0:40 The trick

1:15 Making the mix

1:40 How to hear it

3:00 How to master it

3:50 Choosing a DAW

4:55 Using sessions

5:10 Evening levels

5:45 EQ

6:45 Minding phase

9:10 Minding loudness

10:25 vs mono/stereo

11:20 ATMOS master

15:25 Immersive MP

16:30 The Stereo mix

17:10 2 chan surround

18:25 Tighten the bass

23:00 Testing w/Quark

23:30 More info

Links and notes from the video description

Most top songs these days have an Atmos/Spatial mix and master – but managing flying Atmos objects can be overwhelming. In this video, I propose an easier way, and luckily, Spatial Pro KamranV has agreed to walk us through his workflow and process of actually getting it done.

Want to hear spatial mixes even if you don't subscribe to Apple Music or other Atmos-based service? There are plenty of spatial mixes encoded into a 2-channel stream you can hear on non-spatial services like Spotify. I'd recommend listening to Suzanne Ciani's live quad performance, other tracks listed on KamranV's site, and if you have some time left over, you can listen to my quad set too 🙂 Here's a link to it:

► https://distrokid.com/hyperfollow/loopop/quadraphonic-set-2

Don't have Atmos? To decode a 2-channel spatial stream you'll need to route the 2-channel audio through Quark in a DAW. Quark will unpack the 2-channel stream into 4 channels. Here's the workflow:

1. Download the free loopback audio device called BlackHole – if you’re inclined, please donate – they deserve it (https://www.blackhole.audio/)

2. Download the free Quark plugin – and feel free to donate there too if you enjoy this! https://quark.cykik.com/

3. Point your computer’s audio output to the Black Hole device – for now you won’t be able to hear any audio coming out of your computer.

4. The last step is to set up a DAW project so that it picks up the two-channel feed from Black Hole and decodes it to four quad channels – sending one to each speaker. If you use Ableton Live, you’re in luck, here's a link to a project that has everything set up properly in your DAW:
► https://www.patreon.com/posts/148027924

Here's my video with quad mix tips:
► https://www.youtube.com/watch?v=GVl6pEaKmfM

Here's another Atmos-related video of mine where I analyse what top producers are doing spatially:
► https://youtu.be/s_bOGd5W7QA

Get the ideas, tips and insights from this video and all my others in my ever-expanding book of electronic music ideas, tips and tricks here:

► Patreon: https://patreon.com/loopop

Other places I hang out:

► Instagram: https://www.instagram.com/loopopmusic
► Facebook: https://www.facebook.com/loopopmusic
► Twitter: http://www.twitter.com/loopopmusic
► Web: https://loopopmusic.com

My music:
► Bandcamp: https://loopop.bandcamp.com
► Spotify: http://bit.ly/LoopopOnSpotify
► Apple Music:http://bit.ly/LoopopOnAppleMusic

Submit review and video ideas here (sorry I don’t offer 1×1 sessions/setup/purchasing advice):

► Ziv (at) loopopmusic.com

NOTE: Occasionally I’ll try out affiliate marketing and include affiliate links. This means that I may earn a commission when you click on or make purchases via affiliate links to stores like Amazon, Sweetwater, Thomann and others. The content of this clip is entirely my opinion, and was not paid for or dictated in any way by the company creating the gear. Without addressing the particulars of products shown here as they might be under NDA, gear shown on this channel may be either sent by the manufacturer, on loan for review or bought at a discount.

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