Contact & Privacy

I’d love to hear from you! Please mail me at:
ziv (at) loopopmusic (dot) com

Here’s some background about this site and its companion YouTube channel.

What drove me to open this site and channel is my deep appreciation for others sharing their knowledge online, and the need to reciprocate in kind. I do enjoy digging deep into what a piece of electronic music gear can do – and learning by having someone show you is the best way to do that, especially considering cryptic manuals some manufacturers create.

It almost goes without saying that aside from having someone teach you in person, YouTube is the best place to quickly find fantastic electronic music making tutorials and gear overviews.

Anyway, every now and then I discovered something that wasn’t documented or obvious – whether it was a workflow idea, or a “trick” that I felt a lot of people were struggling with (or at least I was), that has a simple but non obvious workaround. The urge to share this information is what drove the first uploads to my channel.

So, that’s how it started, but uploading into a vacuum wouldn’t have lasted long. Luckily, it’s been anything but that. The feedback and encouragement from people like you reading this, has been the ultimate motivator to keep doing this. This book is my way of saying thanks for being a part of this journey.

So what’s Loopop? Well, most electronic music gear supports some form of looping or sequencing, and if you want to know how the LOOP OPerates… or if a LOOPing idea POPs in your head, or if you take a LOOP and turn it into a POP song… well, hopefully LOOPOP will help just a bit 🙂


Privacy Policy

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We only disclose potentially personally-identifying and personally-identifying information to employees, contractors and affiliated organizations that need to know that information in order to process it on our behalf or to provide services available on this site, and that have agreed not to disclose it to others. Some of those employees, contractors and affiliated organizations may be located outside of your home country; by using this site, you consent to the transfer of such information to them. We will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to our employees, contractors and affiliated organizations, as described above, we will disclose potentially personally-identifying and personally-identifying information only in response to a subpoena, court order or other governmental request, or when we believe in good faith that disclosure is reasonably necessary to protect our property or rights, those of third parties or the public at large.

We take all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.

If you have any questions feel free to contact us directly here: ziv (at)

Thanks for visiting!

37 thoughts on “Contact & Privacy

  1. Thanks a lot for your fantastic reviews and tutorials! Complete and to the point ! i always look to your reviews before i buy synths. My question for you. I have a Elektron Octatrack MKI. i like the sound and i see a lot of people making fantastic things on it but i don’t use it a lot because i can’t get out the PART management! I have a digitakt and it’s great and i can work with it because you have patterns. The octatrack has pattern parts in a bank and i don’t understand the point of this and how i must use it. Is it possible to make a good tutorial around this theme? I think a lot of people would appreciate such tutorial.
    I want to thank you for reading my mail and hopefully you can help me with a great tutorial around part patterns and banks on the Octatrack!

    Thanks a lot
    Melanie & Wouter

    1. Hi Melanie & Wouter,

      Thanks for the kind words! I haven’t gotten to the octatrack yet but it’s certainly on my to do list… I will try and find time for it!

  2. Which video? You don’t need an app to make samples longer you should sample them at double speed and play them at half speed. You can use the free app Audacity on a computer if that’s what you mean

  3. Hi,

    I responded to your video on the Behringer model D. I wanted to record my experiences in a video. Until now I used Hypercam for screen capture, which sometimes failed because it didn’t record sound (a common complaint). My guess is the configuration with a MIDI controller, hard-and software synths a webcam and a external sound card is too much for poor Hypercam. Looking for an alternative (preferably free, since I won’t use it a lot and even fear I won’t succeed recording this comparison between the model D and a VST, or even my model D and yours, using the video on YT), I noticed the reviews are written with other uses in mind (predominantly games or recording from youtube). So my question is what do you use for your recordings? Or do you know a free alternative?

    Thanks in advance.

      1. Thanks. That’s what I meant, yes. I’m trying to master OBS by now. The problem with hypercam2 turned out to be the ASIO, apparently to be solved by Voicemeeter (and it is).

  4. I was wondering if you have ever done a tutorial on the audio damage sequencer 1? I really enjoyed the one you did on maths I learned more about it in the short video then over a year of owning it.

    1. Hey – just saw this question – No, I’ve never reviewed Sequencer 1. Thanks for the kind words re the Maths video!

  5. Thx for your great reviews
    I would like to know what subject are include in your book, it’s any introduction for a beginner how to start patching your euro rack, what things follow the other in the patch chain?

    1. Hi! Thanks for your interest. I really should make a table of contents available – until then there’s a brief snapshot of it at the end of my videos. I’ll also consider adding a eurorack for beginners chapter to it ASAP!

  6. I would love to hire you to be my private tutor. I am fascinated by your skills intelligence and teaching ability. I have been doing rector and vcv rack for a while. I started eurorack a number of months ago. I am a 69 year old eye doctor who loves to learn. By the way Patreon keeps locking up for me.

  7. hello how do you change semitones in a live performance in the roland mc-707

    I can only change the transposition, in the mc-101 I press the note key and then the note I want on the keyboard and change the semitone

  8. Your youtube posts are such a tremendous help in any way soundwise or technical wise !!!!
    I have en ewi controller question regarding the moog sirin, since i heard the sirin has quite bad midi zippering, would it be able to use for instance a midi to cv converter like the doepfer mcv4 triggering the notes and smooth out the notes using the cv filter from the pedal to the sirin and maybe the pitch as well ?

      1. i heard it happens, in the mean while i tried the microfreak ( because of the nice quality filter), and it has zippering as well in the high end, i would like to try out a midi to cv converter like kenton, in what johan berglund from the nurad ewi adviced me though,was to get one with slew rate but i can’t seem to find any which have this option, and is there a possibility to play the poly d moog polyphonically with cv.?

        and i’m still a big fan of your reviews. !!

  9. Hi. first, I love your videos – the information is on point and I learn a lot! Also, because of your good and deep explanation, I bought a Circuit Mono station. I have a have a question and I hope, you can maybe help me. I can’t synchronize the clock of my MonoStation and the circuit groove box. I was putting the auto clock of in the setup view and trying different variations of master and lave – nothing works – except putting the circuit as Master, Midi into CLOCK IN in the Mono Station – I saw the “SYN” at the grid, but it played totally fast and not in time. I was trying out with different midi cables, different breakout cables.. I contacted the novation support, but they could not help me – I don’t think they care. sadly.. Do you have any Idea?

    1. Thanks for the kind words! Sorry, a lot of people contact me with sync/troubleshooting issues and I just can’t help with setups on an individual basis otherwise there would be no channel… :/

  10. Hi – great site and reviews!

    I came here after looking around for some decent info on an SH-101 (which I found!), but in the video (the one where you compare it to a Behringer MS-101), you seem to have a couple of large screens showing the waveforms created by each.

    Can you tell me what these are? – how they hook up? – where d’ya get ’em?? . . . look so cool, and useful too 😉

    Thanks in advance!

    1. Thanks! Sorry, the screens are fake – don’t I wish they were real! I overlay scopes by Melda on the video in post production

  11. Hi,
    Love your videos! A real inspiration to me.
    Is is possible to buy your ‘In-complete book of electronic music ideas tips and tricks’ without a Patreon membership ?

    1. Thanks very much! Unfortunately, that’s currently the only way for me to make sure you get the most updated version.

  12. hi!
    thanks for your fantastic reviews?
    i have a question: I bought a behringer odyssey and poly D
    they are both great, but I don’t seem to be able to clock them to my Logic Pro x system
    I already tried via midi and the doepfer MSY2
    someone mentioned the sysex system to do that, but that seems way too complicated
    do you have any idea, cause I wanted to use both sequencers in time with my logic… 🙁
    thank you so much!!
    nico jacobs

    1. Thanks! And sorry, I get many set up questions … if I’d start troubleshooting them all there would be no channel – I hope you understand…

    1. Thanks so much for your comment, I really appreciate it! There’s no one resource – I do however read and watch whatever I think can learn from – there’s so much out there to explore and each person has at least one nugget of wisdom to share 🙂

  13. Hey man, love the videos! I was just curious as to what digital oscilloscope and spectrum analyzer you used. They way you crop them into your videos is a very nice touch.

  14. Hello Loopop,

    I’m a long-time fan of your work, as well as a devoted lover of all things synthesis and groovebox-based. My question for you is: how do you find time to be so dedicated and prolific? I feel this is a common problem for many people, and I’m so keen to know how to be better at this. I have all the gear I could have ever dreamed of, and my own dedicated studio, finally, after years of working and saving. But often now I’m just tired and reluctant to explore.

    Would you consider creating a video for YouTube explaining your creative process? How do you make time to be in your studio, in addition to curating so much content for your viewers? I’m sure you are quite busy with your jobs and your private life, in addition to all of this. I wish to learn how to be better at using my time and energy to synthesise, like you seem to do. The thing I love most about the synth community is their genuine desire to share and support their peers, in addition to their complete lack of ego, so I thought I’d ask these questions plainly and directly in hope of your response.



    1. Hi David,

      Thanks for the kind words. I guess your question is two fold – first, my process – I actually wrote a whole chapter (well, a few pages) about that in my book and may one day produce a video about it.

      But, I guess the more important question is my motivation, and that I think has less to do with synthesis techniques and more with psychology.

      I too am tired when I’m uninspired and find endless energy when I have something motivating me, regardless if it’s synthesis or anything else.

      I’d need much more self introspection to explain it, but if I had to sum it up now I’d say that you need to find the thing which will drive you so much that you can’t rest until you complete it.

      A tune I must play. A show I must do. A trick I must share. A synth I must cover.

      “Must” being not because someone is forcing me or paying me, but rather I must because I cannot not do it.

      Hope this helps!

      Ziv / Loopop

  15. Hey Ziv,

    Any chance you’d consider selling a printed version of your book? Feels like it deserves a spot on my shelf. There’s all kinds of self publishing sites out there, so it shouldn’t be too hard, and I’m sure I wouldn’t be the only one buying it!


    1. Thanks very much for asking. I’d love to see that on my shelf too, but I feel like I have too much to add, if I “froze” it in time I’d be selling a half baked, in-complete product… plus really the point of the subscription is to fund the continued search for ever more synthesis knowledge

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