It’s not every day that a new form of synthesis is invented. ERM’s Polygogo is a stereophonic, single voice Polygonal Synthesis based Eurorack module. Polygonal synthesis was invented by ERM, […]
K-2 is Behringer‘s clone of Korg’s MS-20. Aside from screeching filters, K-2 also includes MS-20’s unique and quirky features, so this tutorial applies to both synths alike. In this video, I explain
Argon 8 from Modal is an 8 voice, digital wavetable synth, with virtual analog, waveshaping and FM thrown in for good measure. It has plenty of hands on controls, a
The two leading “infinite sustain/freeze” pedals on the market today are Plus Pedal from Gamechanger Audio and Superego+ from EHX.In this video, I look at the similarities and differences between
Roland’s Jupiter Xm is a synth that can play four different parts or timbres simultaneously and polyphonically, in addition to a fifth drum drum part. It has the same sound
Poly D from Behringer is based on their own Model D, which in turn is based on Moog’s MiniMoog Model D, but expanded in quite a few ways. It has
ONE is Moog’s only in-production polyphonic synth – it’s tri-timbral – meaning you can use its voices to play one of up to three completely different sounds at the same
Behringer TD-3 is a clone (with added features) of Roland’s TB-303, a synth that was originally designed to mimic bass guitars, failed commercially, but despite that has now become one
Behringer Pro-1 is an analog remake of the classic Sequential Pro-One, with the same interface, and internal oscillators and filters that are clones of the originals. Behringer also added an
PICO SYSTEM III from Erica Synths is a step away from the previous PICO systems. The cost has been reduced by creating one set of modules rather than individual swappable