Here it is! Part 3 of my series on generative music making. My first video was about phased loops, inspired by Steve Reich (https://youtu.be/bFMP8MbmnL4), and the second was about a […]
A brief look at the controls of Mimeophon by Make Noise may make it seem like a simple stereo delay with a filter and reverb, but under the hood are
What drew me to ZOIA initially actually wasn’t its programmabiltiy, but rather the rapidly growing number of interesting community made patches. As I was exploring it, it seemed more appropriate
Critter and Guitari just released the Organelle M – an updated, more portable and powerful version of the original Organelle. This comes shortly after the release of Orac 2 by Mark
Matriarch is Moog’s flagship semi-modular synth – with stereo filters, stereo delays and stereo VCAs, four oscillators and a few paraphonic modes, and 90 patch points, there’s a lot of
With the Minilogue XD, KORG did something which may prove to be one of the most interesting things a synth manufacturer can do: they opened up its digital oscillator and
Crave from Behringer is a semi-modular analog monosynth based their 3340 oscillator and ladder filter, with a single LFO and envelope, an arpeggiator/sequencer and a 32 jack eurorack compatible patch
LYRA-8 from SOMA Laboratory is a synth that behaves like it’s from outer-space. From otherworldy drones to modulations that certainly aren’t from Kansas, LYRA-8 isn’t like any other synth. But
There are quite a few solid hardware sequencing options on the market – both standalone sequencers spanning from Arturia’s KeyStep and BeatStep Pro, through Novation’s SL MkIII, all the way
MOOD is a new effects pedal from Chase Bliss Audio – developed in collaboration with Old Blood Noise Endeavors (its left side, with spacial reverb/delay style effects) and Drolo FX