Moog SUBSEQUENT 25 Review, tutorial and patch ideas
Moog’s Subsequent 25 is an update to their analog monophonic Sub Phatty, now with 2 note paraphonic support and an updated sound engine. Unlike many analog monosynths, Sub 25 can […]
Moog’s Subsequent 25 is an update to their analog monophonic Sub Phatty, now with 2 note paraphonic support and an updated sound engine. Unlike many analog monosynths, Sub 25 can […]
Korg’s Wavestate is a new take on their original WaveStation from the 1990’s. It’s not a reissue, but rather a completely new synth with a much bigger sample library, more
It’s not every day that a new form of synthesis is invented. ERM’s Polygogo is a stereophonic, single voice Polygonal Synthesis based Eurorack module. Polygonal synthesis was invented by ERM,
K-2 is Behringer‘s clone of Korg’s MS-20. Aside from screeching filters, K-2 also includes MS-20’s unique and quirky features, so this tutorial applies to both synths alike. In this video, I explain
Argon 8 from Modal is an 8 voice, digital wavetable synth, with virtual analog, waveshaping and FM thrown in for good measure. It has plenty of hands on controls, a
The two leading “infinite sustain/freeze” pedals on the market today are Plus Pedal from Gamechanger Audio and Superego+ from EHX.In this video, I look at the similarities and differences between
Roland’s Jupiter Xm is a synth that can play four different parts or timbres simultaneously and polyphonically, in addition to a fifth drum drum part. It has the same sound
Poly D from Behringer is based on their own Model D, which in turn is based on Moog’s MiniMoog Model D, but expanded in quite a few ways. It has
ONE is Moog’s only in-production polyphonic synth – it’s tri-timbral – meaning you can use its voices to play one of up to three completely different sounds at the same
Behringer TD-3 is a clone (with added features) of Roland’s TB-303, a synth that was originally designed to mimic bass guitars, failed commercially, but despite that has now become one