I recently uploaded a video where I used both ends of a Stackcable (split cables made by Tiptop Audio) as a three way splitter, and I got a few comments from people who didn’t know that was possible. One thing led to another and the result is a short video exploring that concept, as well as buffered vs passive mults and some other uses for split cables. In a nutshell, a Stackable is a passive splitter, or mult cable, with jack inputs on either end. Passive splitters can be used to take one audio or modulation source and send it to multiple destinations. They can also be usedRead More →

This video is a follow up to my original “14 0-Coast Hacks” video, and looks at what 0-Coast can do with a little help from a few friends. Pairings explored are: MIDI and CV controllers, preferably with built in sequencers and arpeggiators, and multiple MIDI and CV outputs. Adding effects to 0-Coast, Reverb in particular. What it would take to augment 0-Coast in a hybrid modular setup with VCV Rack. How modular sequencers can pair with 0-Coast to modulate its various controls. Using an external modular sequencer to control subharmonics. A couple of filter pairing ideas. Adding modular voices alongside 0-Coast. Multi function modules. VariousRead More →

This video provides an intro to 0-Coast as well as 14 hacks/ideas/tips/things it can do that you may not be aware of. In a nutshell… here they are: Even though to 0-Coast is a one-oscillator synth, its AD slope can be looped and pitched quite easily to play paraphonic drones in parallel to the main oscillator. Slighlty more difficult and yet completely doable, the AD slope can also be played chromatically with proper knob settings and 1v/octave control. This turns 0-Coast into a truly paraphonic synth. Concurrent MIDI and CV control: By using a keyboard such as Arturia’s KeyStep or Novation SL MK3, you canRead More →

Many synths are mono-timbral, meaning they’re designed to play only one kind of sound at a time. Whether they’re polyphonic or monophonic, and no matter how many parameters and knobs you tweak, the end result is a sound, or timbre, that plays relatively similarly no matter where you play on the keyboard. Synths that can pull off keyboard splits where each split plays a different sound are called bi-timbral, or multi-timbral synths.  If your synth is mono-timbral and you want a little bi-timbral action, this video is for you. This “trick” or “hack” won’t work on all mono-timbral synths, but if you’re lucky and the right setRead More →

Semi modular synths are becoming increasingly popular, so much so that it almost feels like if your synth doesn’t have a patch bay, you might be missing out on something, like interesting sequencers such as Rene 2 or Ornament and Crime, or sound generators like Rings or Plaits, and many many more, that you just can’t find in regular synths. Or maybe you want to enhance your modular setup with components of regular synths, like the expressive grid controller of Medusa or the easy to use FM engine of Digitone. Bridging modular and “regular” synths can be seamless, but it does require an understanding ofRead More →

Have you ever hooked up a new piece of gear into your setup and suddenly heard a horrible noise you weren’t expecting? Or just had an unbearable noise find its way into your recording without you noticing in the heat of the moment? The cause may be a ground loop, some other interference, or even loud air-conditioning. Here are a few ways to solve this problem: Use one outlet If a ground loop is the problem – Plugging everything you’re using into the same outlet will probably solve it – most noise or hum issues coming from ground loops are a result of having yourRead More →

Elektron describe the Digitakt as a “Drum Computer and Sampler”, but it can actually do much more. Not only is it a full blown subtractive synth, but due to its unique LFO destinations, it can be used for quite a few other forms of synthesis, including granular, wavetable and more. Furthermore, by routing its MIDI sequencer back into the machine itself (either with or without creative interference on the way), it can be taught quite a few new tricks, like quick polyphonic sequencing, new LFO destinations, additional LFOs per track or cross track LFOs, and much more. An update regarding tricks that use MIDI loopback:Read More →

If you create music, you’ve GOT to try doing it in quad. The experience of sitting in the middle of music you create while your sounds rotate around you is like none other. I’m hooked. In this video I walk through four potential setups for making quadraphonic music – with a DAW, using Eurorack modules, using VCV Rack, and I also propose a solution for DAWless set ups. The “secret” to creating quadraphonic music is really just about different ways of moving audio, controlling its level and timbre from one speaker to the next. The effect though is, in my opinion, magical. All these tipsRead More →

Wavetable synths are a lot of fun but strictly digital. Is it possible to create one that’s completely analog, for analog waveforms and sounds? Well, I wouldn’t be asking if not. This clip shows you how. The basic idea is quite simple. If you plug two analog waveforms into a mixer, you can morph between the two waveforms (and sounds) by applying different mix levels to each source. If your mixer has an inverter, you can also subtract one waveforms from another. If you add a VCA to the mix (pun not avoided) then you can modulate the different mix levels using an LFO orRead More →