In this video, I explore Synclavier’s Regen and how it combines sampling, additive synthesis and FM. I go through its interface, timbres, partials, modulation and effects, then weigh the pros
In this video, I explore Akai’s MPK Mini Plus beyond its keyboard and pads. I go through the arpeggiator, sequencer, scales, chords, connectivity and editor, along with examples using MPC
In this video, I review Arturia’s MiniLab 3 and explore its chord mode, arpeggiator and software integration. I go through Analog Lab and Ableton Live workflows, live looping, device control
In this video, I compare Arturia’s MiniFreak with MicroFreak and explore its sound engines, analog filter, effects and modulation. The tutorial also covers the arpeggiator, sequencer, performance tools and more
In this video, I test IK Multimedia’s iLoud Precision MTM and its room-correction workflow in an untreated room. I go through calibration, the controls and X-Monitor software, then discuss the
Perkons from Erica Synths is a hybrid analog and digital, four-voice drum synth (and also a drone synth), that takes hands-on controls to the extreme – giving you per voice
In this video, I review Teenage Engineering’s OP-1 field and compare it with the original OP-1, a laptop and other music-making systems. I explore sampling, synthesis, tape workflows, connectivity and
Misha from Eventide is an entirely different and original way of performing and composing music, and is also a different kind of generative sequencer. With most instruments or controllers, pressing
Juno-X from Roland takes the familiar interface of the classic Juno-106 and combines it with the sample and virtual analog capabilities of Roland’s ZEN-Core engine, as well as the scene
In this video, I compare Waldorf’s Iridium Keyboard with the desktop version and explore its polyphonic aftertouch. I go through the performance controls, modulation workflow and connections, with sound-design tips
