Hydrasynth loopop review

Here’s my full review of both the keyboard and desktop versions of ASM’s new Hydrasynth. They have the same synth virtual analog / fm / wavetable / wave shaping synth engine, and the keyboard version has both polyphonic aftertouch and a ribbon controller, while the desktop has pads that are both velocity sensitive and have polyphonic aftertouch. There’s a timeline below as well. TIMELINE:0:00 Intro 1:00 Overview 5:05 Keys vs desktop 7:30 Poly aftertouch 9:20 Ribbon 10:55 Chords 11:35 RGB pads 13:20 Synth engine 13:40 Oscillators 16:35 Mutant modules 22:00 Ring/noise 22:50 Mixer 24:00 Filters 28:50 Amp 29:15 Envelopes 31:30 LFOs 34:25 Effects 38:50 VoiceRead More →

Here it is! Part 3 of my series on generative music making. My first video was about phased loops, inspired by Steve Reich (https://youtu.be/bFMP8MbmnL4), and the second was about a bunch of tools and techniques inspired by Brian Eno (https://youtu.be/_FpnxbALbLE). This video is heavily inspired by Ólafur Arnalds Player Pianos software and performances (you can check out his work here) Here’s a timeline of the video: 0:00 Intro 1:25 MIDI effects 2:10 Tools for creating MIDI effects chains 3:25 Midihub 4:35 Simple MIDI effects example 5:30 Creating longer chains 6:45 Parallel chains 9:50 Mapping controllers to control MIDI parameters 11:15 Inverted generative MIDI effect chainRead More →

Mimeophon Loopop Review

A brief look at the controls of Mimeophon by Make Noise may make it seem like a simple stereo delay with a filter and reverb, but under the hood are a few features that make it a uniquely sounding and highly-playable feedback-based mini synth. On top of that, its zones feature makes it multi-layer looper, texture builder and “time machine” that lets you progressively zoom out backward in time to previously played audio. Here’s the full video review – see the timeline below: TIMELINE: 0:00 Intro 0:50 Overview 3:00 Halo & Color 5:10 Other features 6:50 Skew 7:35 Clock sync 9:05 Ping pong 9:45 FlipRead More →

Critter and Guitari just released the Organelle M – an updated, more portable and powerful version of the original Organelle. This comes shortly after the release of Orac 2 by Mark Harris, an open source platform designed to let you easily create “mega-patches” of sequencers, sound engines and effects, on the Organelle and other open platforms.  Here’s my review of both, showing both their power and limitations:  TIMELINE: 0:00 Intro  1:00 Organelle M vs 1  3:30 Menu overview  4:30 Using patches  6:20 Multipage patch  6:50 Adding patches  7:50 Editing patches  8:05 ORAC 2  10:40 Patch chains  13:00 Other features  14:15 Pros & cons  16:40 A fewRead More →

Matriarch is Moog’s flagship semi-modular synth – with stereo filters, stereo delays and stereo VCAs, four oscillators and a few paraphonic modes, and 90 patch points, there’s a lot of territory to explore and cover. Here’s my full review, detailed tutorial and quite a few patch tips (see full list below as well as in the video’s description):   TIMELINE: 0:00 Intro 0:55 Overview 2:15 The different Paraphonic modes 6:00 Round robin mode7:05 Oscillators overview9:50 Mixer 10:45 Filters 14:40 Envelopes 15:50 Split mode 17:20 Stereo delays 20:25 Main LFO 22:55 Utilities 24:55 Arpeggiator 26:00 Sequencer 28:00 Settings 30:00 Patch ideas:30:00 Using velocity and aftertouch 31:00Read More →

With the Minilogue XD, KORG did something which may prove to be one of the most interesting things a synth manufacturer can do: they opened up its digital oscillator and effects engine to any developer that cares to create plugins for it, without going through Korg for approval or certification. This is already bearing fruit with a few very interesting plug-ins, and most likely more to come. Here’s a review and full beginner friendly tutorial of the XD, a few advanced patching ideas and an explanation of its digital engine alongside a few examples of third party plugs. Detailed timeline with list of tips andRead More →

Crave from Behringer is a semi-modular analog monosynth based their 3340 oscillator and ladder filter, with a single LFO and envelope, an arpeggiator/sequencer and a 32 jack eurorack compatible patch bay priced at around $200. The market for analog synths at this price is getting pretty heated up, so let’s check out how Crave compares – a full timeline is just under the video below: 0:00 Intro  0:45 Overview  2:30 Connectivity  4:00 Oscillator  6:00 Osc mods  7:05 Filter  8:45 Filter mods  10:45 Envelope  12:30 LFO  14:10 Utility  15:15 Arpeggiator  16:05 Sequencer  21:10 Global controls  22:00 Patch bay  22:20 Assign output  24:40 Patching ideas  25:35 Playing the filter Read More →

Toraiz Squid Loopop

There are quite a few solid hardware sequencing options on the market – both standalone sequencers spanning from Arturia’s KeyStep and BeatStep Pro, through Novation’s SL MkIII, all the way to Squarp’s Pyramid, as well the capable sequencers built into “groovebox” style hardware like the Elektron machines, Circuit and Electribes. Just when you thought innovation wasn’t possible, Squid is a surprising new sequencer from Toraiz – with quite a few new unique features. Here’s my review with an emphasis on what’s new and what can be improved/added, especially in comparison with what exists on the market today. There’s a timeline below in case you wantRead More →

Most drum machines and sequencers don’t support importing MIDI clips or loops, which is a shame because there are plenty of MIDI clip/loop libraries out there with excellent content, many played by real drummers with obvious human groove and feel, which is quite hard to program manually. This video offers a workflow to “import” MIDI clips into practically any modern drum machine and sequencer using a DAW and a simple MIDI effect. It then shows how you can quickly find loops in at least one large database – using the “tap to find” feature in Toontracks’ products. If you’re familiar with other such tools, pleaseRead More →

FaderPort 8 from PreSonus is a controller designed to work with multiple DAWs, and its main differentiating feature compared to regular MIDI controllers is it motorized faders. While this may initially sound like a gimmick, using these faders is quite a transformative experience when, making a DAW feel more like an instrument rather than just software. FaderPort 8 officially supports Logic, Pro Tools, Cubase, Sonar, Ableton Live and PreSonus’s own Studio One, and potentially any DAW that supports the HUI or MCU standards. This review and companion video focus solely on Ableton Live.   MCU Integration Before I dive into the details, it’s important toRead More →